Showing posts with label blog. Show all posts
Showing posts with label blog. Show all posts

Wednesday, November 11, 2009

NaNo Plan B



Kids don't try this at home. I am about to do something that seems a bit cannibalistic. I going to eat my darlings. I started a novel for this year's NaNo that really isn't gelling with me. I take all the blame. I probably should have plotted it out a bit. The thing is I had a great idea months back and it got lost in the back of my mind.

So for National Novel Writing Month I ran with an idea that was probably better-suited story idea. Frankly, it didn't have the brick and mortar to make it as a novel. This is of course my opinion. Nonetheless, I have decided to cut my losses because I feel I'm at a stalemate in terms of story development. It's not writer's block. I am still punching away at my keypad it's just that the story isn't turning into fluff. And I don't endorse fluff. I don't eat fluff and I don't write.

So what's Plan B? Well, it just so happens that there was blog post I made months back about a topic that totally fascinated me. I'm willing to share it because if you can guess what that blog topic was you are entitled to a free copy of Shades of Luz. How's that for stealth diplomacy and promotion?

I figure this. I need to love what I am writing. Does this mean I probably don't have the makings of being a top ghost writer? Probably. But, I'm more interested in pushing the envelope of literature anyway. So don't worry about me.

Here's the hint. It's not about tennis. If you'll recall I did a few tennis posts in late August and early September. That narrows the field a bit.

Am I afraid that I might not hit my NaNo number by the end of the month? Not a chance. This is actually only the second time I've competed in NaNo, but when I first signed on in 2006 I was already a week late. Point is, I'm a prolific writer. And I indeed to bang out my 50,000 words and then some.

Will I share any of my posts? Well, certainly not before somebody has taken a good guess at my topic so I can send off a copy of Shades of Luz. But, I will do a weekly update on my progress.

Go ahead and reply to this and or any of my upcoming posts with answers to what you think my novel topic will be on.

Sunday, October 11, 2009

Curating the Dinner Party

At the Opium Live launch Todd Zuniga asked Anya Ulinich what dead writers she'd have over for dinner. She picked Nabokov and Grace Paley. Two great choices if you asked me and they could counterpoint for the other.

My mom always liked to play this game at gatherings. She didn't frame the question what writers she'd ask over to dine, but what people? Coco Chanel, the Mahatma, Virginia Woolf, Winston Churchill. Okay, so sometimes a literary luminary popped onto the list. My mom has always been very fond of Dorothy Parker and the Vicious Circle.

Some people aren't into these games. Not all of my relatives and certainly not all of her friends. But, the ones that are game can give delightful results. I remember once being over at friends of ours. The new boyfriend, Michael, of my mom's friend's sister was a real card. He mentioned people I had never heard of. I was only eight at the time. Michael was convinced he bore an uncanny resemblance to George Plimpton. He didn't. But, he knew a lot about him I would later find to be true. Michael also had a particular interest in Gore Vidal and André Gide. He also had a penchant for collecting trilobites which I was absolutely smitten with. I was still in my paleontological phase. He draw a pretty nifty sketch of a Devonian-aged fish and I gave him a thumb's up.

Why do I bring this up? I really never saw the guy again. My mom's fiend's sister dated regularly and had moved onto somebody else, but I kept asking about Michael. He'd piqued my curiosity. I don't know if he is alive or dead, but he is the kind of guest I would love to have at a dinner party.

And since I'm on the topic of curating dinners for lively corpses I'd be hard-pressed to find better company than Oscar Wilde, Samuel Johnson, and Benjamin Franklin. I really think I'd hit it off with Thomas Jefferson Too. I never really did get over my paleontological phase.

Saturday, October 10, 2009

Why the Snapple Top Makes a Good Substitute for a Fortune Cookie

A Venus flytrap can eat a whole cheeseburger. I learned this fascinating fact #880 from under a Snapple cap. Committing it to memory is not going to stop the Great Recession or save the whales but it got a chuckle out of me. I'm into random musings. Maybe this is why my mind drifts off too far to be a good journalist and I am fiction writer. Maybe I'm a born spin doctor.

I love books where wild sheep chases take place which is why I appreciate Haruki Murakami, Italo Calvino, Thomas Pynchon, Don Delilo, and on. In Veronica Nicolas Christopher's protagonist's whole life changes taking a wrong turn through a hallway. William James calls this stuff the way of the Pathfinder.

Philip Roth notoriously penned a good chunk of his novels from headlines he read out of newspapers. The point I'm driving at is you never know where that glimmer of story, as Pam Houston says, comes from. For me though, I think there is something more. Not to get Cartesian on you, but for me I want to discover an indubitable truth. And in today's world, cobbled from spin, it's no easy task. This is by the way why blogs seem to be spawning healthy, independent lives from the mainstream front.

I still believe a bit in Lincoln's old adage to know 90% of your opponent's argument before forming your own. Something to that extent. And this is why I keep putting various, disparate pieces together in the hope that someday I will have my own Eureka moment.

Thursday, October 8, 2009

And the Noble Goes to...















Have you read any of Jean-Marie Gustave Le Clézio’s books lately? Hmm. Or maybe you’ve recently picked up 2006 Noble Winner Orphan Pamuk’s Snow.

I don’t want to give the impression that the prize is politically motivated or is a kind of Lifetime Achievement Award, although it does raise brows and draws new readers to the chosen one. Whatever drives new readers is great for literature. To draw to the literary landscape today is a great challenge as we already know. Whatever the motivation to pick up Herta Mueller’s work is well worth it.

I’m a firm believer in expanding the literary landscape. Writing style, subject matter, and rules of syntax lure readers to their favorites, but I’m one who approaches my reading like my wine. I relish a diverse sample. I’m not hung up on Kirkus Reviews, plugs from Slate, or tweets from Salman Rushdie. I read what I read.

Some might consider mine an eclectic, unfocused approach— cherry-picking. I call it stylized discrimination. A healthy lust for poetic memes. But, seriously, I don’t pretend to have the inside dope on all the words, critical and otherwise. I take the Socratic approach, I admit I knowing nothing and work from there.

I am a slow reader and want to experience a book for the work of art it is. In other words, I cannot speed read so I wouldn’t bother reading the plethora of airport fluff. I do take recommendations. I will not pigeonhole everything. I’m a New Yorker, I honor our sacred bird.

So far I know this about our 2009 Noble Laureate. She began her career in 1976 translating for an engineering factory, and was canned in 1979 because she wouldn’t play by the Communist regime’s rules. Herta’s husband Richard Wagner is also a novelist.

I’m not sure if I’ll start with Ms. Mueller’s debut collection Niederungen or Oppressive Tango as I’ve always had a weakness for the Argentine dance. I will make it a point to acquaint myself with her work because I want to expand my reader and writer’s eye.


Tidbit

The Noble Prize in Literature has been awarded since 1901. The only years that no awards for literature have been given are: 1914, 1918, 1935, 1940, 1941, 1942, and 1943.

Wednesday, October 7, 2009

Virtual Belly Button
























[Click here to enter The Literary Lab Genre Writing Contest]


Webfetti and gadgets are the buttons of our day. It used to be a sign of solidarity to wear a a pin, a patch or button on your denim jacket to show off your favorite band, presidential candidate, ballplayer. Since our days revolve around the keypad it's only natural that we look for stuff to dress up our cyberdomains. Wallpaper is too insular. Too old hat.

When you have a blog or website you want to share it with the world. It a part of of you. Your very own virtual belly button. I've stuck a Duotrope badge on my page. I will soon tack on one for NANO because they are mega keen. I have quotes from Twain because he was the Mack Daddy of his day- for ours too.

If you haven't already done so I suggest checking out the Genre Wars they have a cool badge to stick on your blog. They have a fiction writing contest that embraces all the sub-genres and it will a literary slugfest- so to speak. Above is the picture of the contest and is sponsored by the esteemed The Literary Lab.

One last note before I go. Do you remember candy buttons? Those Technicolor sugar-hopped strips of paper that were usually stuffed into your goodie bag for b-day parties. That was one button I was never really fond of, but I did once proudly wear Billy Joel and The Police buttons on my stonewashed denim jacket.

Long live The Piano Man and Sting.

Tuesday, October 6, 2009

A Movable Desk


I’m a mobile scribbler. My movable desk (AKA my lap) finds its way onto buses, planes, trains, and other automobiles. I’ll sit on a rock with my notebook and take stock of the confluence between the world around me and the one passing through my brain.

Yesterday, I decided I needed a real desk. What with my recent move I’ve been typing away on the dining room table. I probably could have kept up for a little while longer, but I’d already been testing my better half’s patience long enough.

My buddy offered me a retro office desk. The thing was as big as a Greyhound. I had no idea where to put it. I needed something simple. Fortunate for me that I live in the neighborhood Furniture Central, Steinway has so many table shops, good stuff, junk, and so-so. You have to have a good eye. The prices are another story. I’m convinced there’s a black hole parked between taste and tacky. Prices not commiserate.

I’m not cheap, but I’m not willing to plunk down a month’s rent for gaudy or impractical. When I veer off onto a side street and see a piece I can imagine in my bedroom/office I poke my head in the shop to inquire on the price. Nobody. I could sweep the desk off the sidewalk and be on my merry way. My bad back is my conscience for the day. I rub my hand over the flat top. Pretty smooth. But, it’s a street model.

A middle-aged man in an ill-fitting fishnet cap and fleshy ears walks to the desk. He has handout written all over his grimy face. I stand my ground.

“Nice desk,” he says.

“It’s ok.”

“How much?” he asks.

“That’s what I’m trying to find out.”

He scratches his fleshy ear and lopes into the shop. At this point, I say to myself you’re not horning in on my desk, bub. When I make it into the shop he is already sidled up to the counter, but there is no attendant to wait on him.

Two can play at that game.

“How much would you pay?’ he asks.
And there’s no way I’ll let him bait me. “You first.”

“Strong pine, last you a long time. Seventy dollars.”

I do a quick mental calculation to make sure I have enough cash on me. My fishnet-hatted foe probably only carries sweaty bills and this place doesn’t look like it takes plastic. When I figure I can beat him by twenty-odd bucks, if the bidding were to go that high, I make a kind of smirk.

Then a skinny kid comes out of the storage room. Finally, we’re going to get a little service around here.

“It come in tan or you like burgundy maybe,” the man says.

“Excuse me?”

“Yuri, go bring burgundy piece for show.”

The skinny kid ducks back into the dusky storage area and then it hits me that this clown is the owner. Somehow I feel more embarrassed for him and the flat beak of his cap that makes me think of a duck-billed dinosaur.

I take two crisp twenties and a crinkled ten out of my pocket.

“Fifty bucks.”

“Strong wood. Yuri carry it for you home and put it together, seventy-five.”

“That’s ok, I can take it myself.”

“Sixty five, we tie it up neat to the roof of your car.”

“I’m walking.”

“You’ll hurt your back.”

“I’ll be fine.”

I take the initiative, put the fifty bucks in his hand. He looks at it briefly as if I’m giving him quarters for the laundry, but then accepts it. Yuri takes his sweat ass time finding the box. They were out of the tan so I settled for the burgundy.

The whole way home, which although wasn’t technically far but it was sure as hell awkward, I reminded myself that I had to put the desk together. And though my back ached, my knees and thighs were bruised from trying to prop the box upright, I had this sweat moment of triumph coming to me. I hadn’t put anything together in as long as I could remember. What better way to get a creative boost than to build my own writing desk.

Monday, October 5, 2009

A Sliver of Turturro


Back in August, I posted about bit players I noticed as guests on sitcoms. This is sort of a hobby of mine, but today I feel compelled to share two minor parts played by John Turturro that I just discovered. I'm a big fan of his work. He covers a wide range: grandmaster chess wonk in Luzhin Defence, pizza parlor primogenitor in Do the Right Thing, newfangled celluloid writer in Barton Fink, Herbie Stempel in Quiz Show.

When I saw Turturro in Desperately Seeking Susan, playing the part of cheeseball MC Ray I was surprised. It's been quite a while since I've seen the film. And, unlike Barton Fink, starring a more mature, painstakingly brooding Turturro the cheeseball MC had a touch of the actor's unmistakable flair. By voice he is recognizable and you can't forget his face.

I also caught a glimpse of him haggling Woody Allen in Hannah and Her Sisters. If you are not acutely attuned the glimpse is missed. It's towards the beginning and during a madcapped scene of merging and diffusing throngs. Turturro plays a young writer who stops Woody for maybe 5 seconds. There's only a peripherally view, but a good shock of John's curly locks.

I did a quick scan to see some other films I haven't seen him in, mainly recent ones. Transformers and Transformers: Revenge of The Fallen. I won't catch either of those though I was nuts about the toys as a kid. But, I might be on a lookout for him on Flight of the Concords or on a Monk rerun. I'd love to see him teamed up with Tony Shalhoub.

Sunday, October 4, 2009

A Glass of Mastroberardino



I have a proclivity for wines from southern Italy more so than their more famous Northern regions. I think it has something to do with the volcanic soil. Aglianico is king among the southern Italian red varietals though I have had many other pleasant quaffers.

Piediroso may not be a household name unless your house is somewhere near Campania or Apulia. Recently, I had one of Mastroberardino’s entry level reds, Lacryma Christi del Vesuvio. I hasten to pigeonhole this wine with the unflattering moniker, but I'm going strictly by price point. Mastroberardino has great depth in his portfolio, nevertheless, as price points go, the Lacryma Christi del Vesuvio is a bargain. It doesn’t have the complexity as say the Taurasi, but then again the Taurasi is predominantly Aglianico. Think of the Lacryma Christi as the introduction to Villa dei Misteri which hails from Pompei and is comprised of 90% Piediroso and 10% Sciascinoso.

Lacryma Christi is made up of 100% Piediroso. The wine is redolent of violets and undergrowth. You see these descriptions all the time and say to yourself “what are kidding me?” but this wine smells like somebody’s garden. It doesn’t carry the whiff of industrial-strength fertilizer or chemicals. It’s pleasantly bitter on the palate enough to know there is a balance between fruit, acidity, and only an insouciance of tannin.

Drink it with fennel-encrusted rack of lamb or fried eggplant.

Friday, October 2, 2009

Pysanky



Pysanky are Ukrainian-stylized eggs. A wax resist method or batik is used to decorate the eggs and a special instrument called the kistka etches the design.
They are usually made for Easter, but folk artists make them all year round. Some have extremely intricate patterns. Most have designs of animals, wheat crops, flowers, trees.

Their origin comes from a myth in which the egg is symbolized as the source of life. Though Christian Ukrainians adopted it by 988 AD (with the rise of Christianity) the pysanky had a long illustrious pagan tradition.

Iryna Bilianska from the Sokol region of Western Ukraine used an embroiery pattern on her pysanky. Hers are more floral-designed than my mom's. My mom made many with deer patterns, trees, and interwoven geometrical shapes. We had a china bowl full of eggs many years ago, but our cat tested her soccer skills with virtually all of the ornaments in that bowl including a few treasures my grandmother had made.

Thursday, October 1, 2009

Helen Levitt




A small tribute to Helen Levitt hangs in the Met’s halls en route to the Contemporary art wing. Her photographs capture the kinetic charm of the city’s urban landscape. There's an influence of documentarian geniuses Cartier-Bresson and Walker Evans although Levitt has less edge, focusing on urban youth in all its free-spirited glory. One of her standout shots is a Mid 40’s picture of two adults and a child stylized into a kind of totem pole. The woman stands tallest has a slack mouth and peers toward the east probably Uptown. The darker-skinned, chunkier man wears a stern look and faces the opposite way. Below him, is a messy-haired child in dreamy, yet frazzled consternation. The boy gapes in the same direction as the woman. His vantage point both physically and chronologically lower may hold the answer to what has grabbed his attention.

Notice the mimetic play of frames within frames in the first shot. The theatricality comes purely from the children (subject's imagination) rather than the artist.

Sunday, September 27, 2009

Banned Book Week






















Don't know how you are celebrating Banned Book Week, which technically kicked off yesterday, but it might be a good idea to explore your subversive side. I am going to pick up a copy of "As I Lay Dying" and "Fahrenheit 451". The former is a Faulkner classic and the latter is Ray Bradbury's tour-de-force that tackles censorship and book-burning.

My interest is of course aesthetic, but I do admit to getting fired up by the notion of reading books that are supposedly inappropriate. I will savor these two literary morsels, but I am not speed-reading to have them completed by week's end. In fact, I just might be adding Ginsburg's "Howl" to the list.

Buena suerte!

Friday, September 25, 2009

Gorilla Marketing



If you know me on a personal level you know my passion for primates, and especially for gorillas. Though they are not as closely related to us as the chimpanzee, I have always had a special affinity for them. As a child, I had the delightful pleasure of being welcomed into my room with a smile from the great brain of the jungle. My mom had painted an image of a lowland gorilla on the door to my room and when I had the lights turned off and my eyes adjusted to the dim glow I felt as if I too was hidden in a canopy of rain forest. That image has never been painted over and is on permanent view as you enter what is now my dad's den.

I think I've always been drawn to the gorilla's eyes. They are so human, and filled with great longing. A gateway to our past.

Today, I've decided to use the bully pulpit of my blog to offer a suggestion. If you haven't done so already please make sure to vote on magazine cover of the year. This seems like silly whim, but really it says a lot about our society. There are a few interesting choices amongst the myriad of feckless images that seem forever recycled through our unfortunately low-brow culture. I don't say this as a blight on the readership because I believe there are a great many splendid minds craving quality. My potshot is directed to the media who ceaselessly tries to hammer their insipid celebrity-gaga agenda onto us.

I'm merely sharing my choice with you gentle reader. Go to Amazon and make your choice. One lucky soul will win a Ten-thousand-dollar certificate-- that's a world of great literary possibility. Make it your own.



Tuesday, September 22, 2009

Doctorow in the House


During a radio interview the other day, Leonard Lopate described the Collyer brothers as “upper crust packrats” and E.L Doctorow quickly interjected, as he did not like this description. His whole purpose for writing “Homer and Langley” was to breathe new life into the Collyer’s story. Whereas so many of their past accounts have gone into excruciating detail over their death, Doctorow celebrates their life, has elevated their status into the mythic realm. What struck him as horrific were the police reports from the 40s, how they hacked their way into the townhouse. Such vilification needed a human touch. Doctorow has always taken his well-earned poetic license along with him into his historical fiction forays and many critics are calling this one of his masterpieces.

I had the good fortune of watching him read the other night at Book Court, in Brooklyn Heights. Doctorow stood at the podium like a poet from a bygone era, delivering a lodestar of a eulogy. He bore a certain resemblance to Craig Lesley as he read. He started by saying that Brooklyn was a great place to give a reading with its rich tradition of scribes. “The Bronx,” Doctorow said, “Only has three of us writers that I know of: Dom Delillo, Richard Price, and me.”

He has a pleasant cantankerous quality about him like the know-it-all uncle waiting to share his treasure trove of knowledge if you are patient enough to bear with his circumspect delivery. He admitted that the end of the book crept up on him one day. He looked it over, hmmed to himself, and declared the story wouldn’t run any further. He got up from his desk, went over to the bar, poured himself a stiff drink, and celebrated.

When asked if he had done any research on the Collyer brothers he admitted to checking out a few pictures, but he didn’t want to pollute his head with facts and so opted for the mythic route. The opening line came to him, seemingly from out of nowhere, “I’m Homer the blind brother.” In the Lopate interview, the radio wonk was quick to point out to Doctorow how Homeric the sentence is and yet Doctorow didn’t even realize until he was halfway into the book. Great writers tend to bring the enterprise of literature into their own writerly junkets. The trick is to artistically pilfer so that your style shines through it.

In the past, he has also been chastised for stretching the boundaries of history to suit the needs of his narrative. But, let me just make this point clear, he is a fiction writer.

Hollywood has no problem demolishing the foundation of his stories to suit their needs. Ah, but that’s not the same as delving into history fiction. There needs to be some degree of verisimilitude. Sure but, what Doctorow is doing is taking an almost fabulist strand and running with it. Once upon a time, Dickens’ novels told a greater truth of the old England than the history books of its time and what about “A Connecticut Yankee in King Arthur’s Court”. Am I creating a fallacy of slippery slope? Maybe. I just get tired of hearing idiotic gripes when the total effect of the work— its literary gestalt— should be the chief nugget of artistic evaluation. The words my friend, look to the words.

I am going to trust the scribe who depicts his reclusive anti-hero with “Lisztian hair” and can come up with a novel way for driving a Ford Model T into the living room. Leave the biographical notes for the academic journal.

Monday, September 21, 2009

Seven Minutes in Heaven with Jonathan Ames


This is as a good a time as any to mention my run in with Jonathan Ames back when “I Love You More Than You Know” came out. Groupies lined up to stake their claim in an autographed copy. I’ll be honest, I’d never read any of his stuff so there was no way I was going to impress him with quotes from his favorite author.

Sometimes I’m really sweaty-palmed and cottonmouthed when I am in the presence of royalty. Other times I can be a bit of a jackass. I’m not sure how we got on the topic of candy bars, but I filibustererd on lamenting the fact that Whatchamacallit was a dying breed. Find me a corner bodega that’s got a box of them and I’ll trade you my lucky rabbit’s foot. The point was I had unusual candy taste. I think Ames appreciated that. When he looked at the book in my hand “Motherless Brooklyn” he got a little stinkeyed. Wrong Jonathan! Yeah, I know, but Lethem’s my homeslice.

I had the itch to have him sign it, but didn’t. Then I went on about publishing in indies. I said it was fine for him to work with the Big Houses. He’s a household name for crying out loud. I wasn’t asking him to do an air violin for my schmaltzy spiel, but I wanted him to see where I was coming from. He tucked his arms to his chest and let his pumpkin orange brows scrimp.

“Go with your gut kid,” he told me, emphasis on the go.

That’s what he wanted me to do all right, but I didn’t take the hint. I mentioned Uncle Walt self-published “Leaves of Grass” and that Joyce got bounced around trying to place “Ulysses”. I’d be in fine company if I had their stick-to-itiveness and bald-faced determination or I’d be like a gazillion other schmoes with his book collecting dust.

I came to my own merry conclusion and when I stepped off the line I could see he was relieved. But, it was better to be bugged by my mellow yellow consciousness than to shove a manuscript in his face. There’s always those humps who try to push their crappy book on a famous author. Not me.

Before I left, I freshened up in the john. American Standard urinals lined the neutral gray wall. I have a short story in Nexus, Wright State University’s journal, by the same name. It’s about a janitor who wants to make the most magnificent toilet in the universe, a flush to be heard throughout the ages.

Who do you thinks putzes in when I’m taking care of business? The author kept his distance, three pisspots away. And then I breached restroom etiquette, sidling up to the Amesmeister.

“I’m going with your advice,” I said. “I’m sticking with my gut.”

“Great.”

“Yeah, I think so. I’ll keep you posted.”

I could tell he wanted me to get the hell out of there, but he went over to wash his hands. He wasn’t even rushing and took his time lathering the soap onto his unique lifelines. Before I knew it, we were in a handwashing showdown, Spaghetti Western style. I washed between the crevices of each finger, cracking a knuckle every so often to the mellifluous swish of water in the marble basin. He patted his hair with water on the sides until the wings slipped behind his ears. I bopped the soap dispenser for another splotch and rub-a-dubbed. I soaked my hands until my finegrs were good and prunish. He shook his hairy wet fingers and I dried my hands along the back of arms and elbows.

I made a false start like I was going for the door and instead grabbed a roll of paper that made my hands stink like butcher paper. Ames, clearly miffed, but relieved, shuffled off and I trailed, a few paces behind him.

We didn’t say goodbye, shake hands or anything, but I have to say if I never met him in person I’m not sure I’d ever pick up one of his books.

Sunday, September 20, 2009

Barbaresco VS Stout




[Hands by Martha, Photos by John]


I’ve been out of vino practice for a while now. I tend to go through cycles. I’ll admit that I enjoy a nice Hefeweizen for summertime, Sam’s Summer, Hoegaarden, and the plethora of Brooklyn Brews. Craft Beer Week just ended and I celebrated with a coffee-hopped stout from Tröegs, the toast of Harrisburg, PA.

Fall is a great time to get back into red wines, especially ones with bigger bodies. I don’t mean Napa obnoxious, I lean toward south western France. Today however, I had a Barbaresco from a producer I’d never had before. I’ve had luck in the past picking out pleasant surprises from this usually cost-heavy northern Italian commune. Now, it’s true that I nabbed one for under twenty dollars so what should I expect, and on top of that it’s from 2005 which wasn’t a bad year (stellar for Bordeaux) but one year past Piemonte's phenomenal six-year streak. I noticed somebody from CORK’d offered 95 points for the 2001 Morando. It would be hard to find anything truculent on the palate for that vintage.

I’m not big on numerical ratings and more on talking points. For me, this wine was a bit warm in the mouth— frankly, it tasted of alcohol. I purchased it from a reputable shop so I don’t think it was the provenance of the bottle in question. And it wasn’t because of lack of food. Martha prepared a gorgeous meal, pasta with fresh tomatoes and herbs, chicken cutlets with melted mozzarella di bufala. The tannins seemed very tame almost non-existent and the sour cherry flavor dissipated even as I held it on my tongue. The texture was thin, watery.

I’ll admit, I’m spoiled, but I wasn’t expecting Angelo Gaja or even De Forville. I just wanted a trace of smoky bacon, a spoonful of viscosity. Even the nose was glib, short, nondescript. I returned to my Java Head to refresh my mouth. There will be plenty of bold reds on the horizon, maybe a Bruno Giacosa or better yet a Leoville Barton winding down the road.

And The Cold Mug Goes To

Saturday, September 12, 2009

Wedgewood Made of Cotton












My grandma won a set of Wedgewood plates at the movies back in the mid ‘40s. She went with Great Aunt Jen and two other friends to a double feature matinee. It’s not altogether clear what picture they saw. None of them are alive now to corroborate so I have to fill in the blanks. What I do know is that they saw a Joseph Cotton picture, but not one of his standouts. Something more of a B picture so obviously it couldn’t have been “Citizen Kane”, although Electra Theater showed that film every year from its inception in ’41 till the day it closed its doors in 1950. So the story goes Grandma, Aunt Jen, and the girls had been wearing out their welcome at the RKO Dyker on 86th Street. To put it mildly, they wanted a change of venue. Also, Electra sometimes played foreign stuff, Shakespeare, and artsy things. Plus, it was a few blocks closer to their homes. Except Aunt Jen of course, who trekked it in all the way from Jackson Heights.

Aunt Jen, the boss of the bunch, bought the tickets and doled them out. Grandma let her two friends take their stubs first. She took the last one and brought up the rear till the usher let them pass. After the first picture ended, some hokey Western, there was a brief intermission. A gentleman from the theater gathered the audience’s attention. He asked everybody to look over their stubs because there was a special giveaway. This was more or less par for the course, and how the houses packed them in. An old lady in a mint green sweater took home a train set. A middle-aged man in a scruffy corduroy blazer won two sets of shower curtains and a brass rod. There was one last giveaway, a set of eight Wedgewood plates.

Grandma’s eyes lit up when she saw the man holding the pink and white plate, a majestic scene of a castle perched beneath a brooding sky and tall fir trees, a lone moose in the foreground. She had eagle eyes and they were sitting up close. When she tuned into the winning number she cursed her losing stub. Her friend Lilia tossed hers on the floor. Nobody had claimed the plates and the blustery buzz of voices seemed to make the theater grow. When the man read off another number and it didn’t match Grandma’s she slapped the armrest, let out a sigh. Then she dipped down to retrieve her friend’s stub and to her amazement she had the winning number. Grandma leapt out of her seat. Lilia was stunned and Grandma held hands with her friend. But, Lilia didn’t budge. She scrunched to the back of the seat and the man on the stage repeated the number. Some people in front turned to see the commotion Grandma and Lilia were making. Aunt Jen glared at her cousin. “Get a move on,” she said.

Grandma insisted her friend take the prize, but Lilia insisted my Grandma go. Finally, they got up together and each took half. When Grandma stepped up on stage to accept the plates she said she felt like Carole Lombard. She’d never held anything so precious before a crowd of strangers. And for the whole rest of the movie her palms sweat. She worried she’d dump the plates off her lap and break them into a thousand shards.

She stayed though because Aunt Jen was in love with Joseph Cotton and if she had ever seen him walking down the street she would have stopped him right in his tracks and kissed him square on the mouth. When the credits rolled up Aunt Jen touched her finger to her lips, shushing her seatmates and Grandma’s thoughts took a leisurely drift onto an English countryside.

Friday, September 11, 2009

The Noble Ground Before it Shifts

I didn’t make it into the city on 9/11. I was trapped in Queens. I’d had an unfortunate injury and was recovering— I also had very bad sunburn. I made it in the next day to see a dear friend. Ribbons of smoke were still visible from her apartment on West 10th Street. I gimped along with my cane, my left leg fastened in its protective boot. N couldn’t do anything, but laugh in her beautiful way when she saw me. She used to call me quasimoto, a little bit of everything, but I felt like that more infamous Quasimoto, the hunchback.

We strolled the old neighborhood: Tea & Sympathy where we relived London, Cowgirl on Hudson where washed down monster-thick steak sandwiches with Texas-sized Cokes, Bleecker Street Books, Magnolia Bakery, the brownstones on Jane and Charles Streets. We didn’t hold hands, but mulled over each other’s comments. If there was anybody in the world I could be perfectly still with and not have to say a word it was her, but I’m not sure how she felt nor did I want to ask.

People kept staring at me, at my beet red face peeling into something worse than a Halloween mask. I loped on cane-able, but was still woozy from seeing N.

“Why are they staring at us?” she asked.

“I don’t know.” And I didn’t. A guy passed by in a Kill Osama t-shirt. N and I both shook our heads. How the hell did somebody whip up a shirt like that— presto — in less than a day? It took 3 weeks to open up most of my mail.

When we stopped for a bite, I was helped to the table by the waiter. The manager came over, put his hand on my shoulder and asked if I wanted a pillow to prop my leg.

“Don’t go to the trouble,” I said.

“No trouble,” he said and snapped his finger. The waiter came back with a pillow and a bowl of M&Ms. N and I scooped a handful each and gobbled up before perusing the menus.

“Okay, what the hell,” N said, leaning forward. “This is so weird.”

“Nuts.”

She pinched her nose without her hands and breathed. She put her paper napkin on her lap as if it were fine linen then gingerly pulled a strand of hair behind her ear. And I munched on my M&Ms with my leg propped, feeling like an astronaut in basic training, my heart light as a balloon.

She raised her brows, giving me a clear view of her dark brown, polished eyes. I rustled in my seat. My knees locking at the joints and I had a terrible itch inside all that sweaty plastic covering my ankle. I wanted to leap up and shout it’s a miracle for no good reason. N saw my anxiousness uncoiling and tapped the table top with her lithe finger.

“Ohmygosh it’s you.”

“What about me?”

“They think you were there.”

“There.”

“Yes, there.”

“They think you slinked away.”

With that I crawled back in my seat. I would’ve ducked under the table, but the circumstances, the comportment of my body, and café’s roving curious eyes kept me in check. But, what I dreaded most I couldn’t avoid, what was on her mind. Even if we got up and left I’d know she would be thinking of it and sooner or later I’d have to come clean. She sipped her glass of water and put it down with a twist. She pressed her cherubic lips together and waited.

I didn’t have the answer why we’d split apart and wasn’t ready to go into it. I was barely able to share with her how I’d ended up fracturing my fibula, but I started mulling it over. She sat in delicate, unpretentious repose.

I flashed back a few weeks earlier to the day of pathetic accident. The circumstances surrounding it were terribly embarrassing. For years I’d been teaching tennis on and off, mainly on. I gave many private lessons, but I preferred group lessons. It gave me a small crowd with which to play for. I was still somewhat active in tournaments, but had pretty much resided myself to the fact that I’d never make it onto the tour. N was going to watch me play in Luxembourg the previous summer. I had to pull out, last minute, because of a stomach virus. We ended up going to Paris. Maybe it was a sign then. Who knows for sure? In any event, tennis clubs and the occasional member/guest round robin seemed the great stretch of my career. Still, I managed to be a popular pro with a big serve and a lively lesson plan. I raced my students around the court as if they were being groomed for Roland Garros and Wimbledon. Juniors respected my game, but I think I made a bigger connection with the adults. Although I was one of them, twenty-something at the time, I was at that nebulous crossroad where I looked both younger or older and spoke as a sage or a sophomore. I had that kind of split personality. I called it being limber. I played doubles games with my students. Rushed the net and dropped back together with them for lobs. Move your feet fix your eyes I’d tell them.

Balls were strewn all over my court. They sat by the net and trailed out to the sidelines and lay scattered inside and outside the service box. Each time I bumped one I gave it a good soccer kick out of play.

On this particular Sunday, during an MTL (Metropolitan Tennis League) Clinic we had a larger than expected following. Usually 5 or 6 enthusiasts were assigned to a court which wasn’t such a bad ratio of students to pros, but with 8 on a court things had to move swiftly. A lesson had to have verve, blood, sweet, tears. That was the bare minimum. I threw in charm, chutzpah, a pretty smile, and maybe too many wisecracks. I also couldn’t help blasting a few shots for demonstration. The curse of showmanship courses through my veins. Sometimes I had the screwy feeling that it was more important for me to dazzle than coach.

I made my suicide dashes to tap back drop shots, my knuckles scraping the dirt. I parked myself dead in my tracks then let a ball glide over my head and raced it down. This was the cat and mouse game I played with my students, letting them believe they’d win, but when I needed to I revved up, charged forward, and eventually eked out the point.

My overheads rocked. Quick racquet drop behind the ear, a few backpeddle steps them wham— winner. Okay, I didn’t smoke it past them. Not all the time. But, I took bigger swings or made scurrilous grunts. The ball’s pace seemed faster than it was, a whirr of fuzz.

The eight ladies on my court copied my mechanics. Liz got it. She’d been coming to classes on a regularly basis and had her pivot and weight-shift down pat. Her knee-bend was so-so, but her timing was impeccable. Truth be told, I think she was taking privates on the side. We locked into a mini rally. Some of the new women were getting the hang of my workout. I was jumping higher, exaggerating my arm extension. One lob drifted over my left shoulder before I could get in position for it. My partner, who had the better angle, should have made the return. Not to mention it was her lesson. Nonetheless I called her off, made a leap and connected with the ball. Then I took a spill. An errant ball caused my flub and I sat on the clay for a few seconds. When I tried to get up I couldn’t. The court spun before me and a sharp bolt of pain knifed through my leg. I smelled sawdust and cheap glue. I almost, but didn’t quite hurl.

One of my fellow pros came to my rescue, crutched me over to the bench and I slapped back paper cones of water. My head felt flushed, my leg cold, and a swarm of players gathered by me. It was humiliating. Mehdi, one of the newest pros, said he’d heard the snap from over on his court. A blown ligament, he assured. A lot of rehab went with it. Somebody else told me it was a fracture. Who the hell cared for the semantics? At the moment, I was done. I’d never broken a bone in my life. I’d never had the measles. I had this odd, unsettling feeling that my luck was changing.

N and I walked off our meal. We didn’t care if we caught the traffic lights. We let almost everybody drive on by. We let couples pass us too. We watched people skeet by to the concrete island, as the taxis and SUVs blazed by, our grins widening as their shoes caught onto the curb.

“Just you wait,” I told her. “The witching moment will come.”

She knew I wasn’t fomenting ill will, mine is more of a cautionary message, a foreboding.

We never got to the breakup that day. There was so much other turf we needed to catch up on. We shared a Mr. Goodbar. She handed me the smaller crack. We didn’t mention the drinks we had at Windows on World, six months earlier. I made soft deliberate steps missing the cracks in the pavement. Until we said goodbye. Then my heart skipped as if it were about to race through traffic.

Tuesday, September 8, 2009

Men in Black




Somebody did a study of all competitive sports and found that the red jersey was the most menacing. Teams that wore red had better records too. That’s all well and good, but it means zilch for tennis pros. Have you noticed the trend toward black garb? Living Legend Roger Federer has made it his signature outfit and has socked away quite a few commercials in his tennis tux attire. The ATP tour plays the “Imperial Attack” from Star Wars when Roger enters the stadium. It pumps up the fans.

Now, it seems like his comp is dressing in his style. More macho head games? Maybe. I’ve noticed that this US Open, more than any before, has more black-jerseyed baseliners. Jo-Wilfred Tsonga and Fernando Gonzalez both wore it for their fourth-round match today. Gonzalez edged the Frenchman, but is moving toward the Brobdingnagian black-shirted Argentine, Juan Martin Del Potro. Rising in their respective quadrants they might get a chance to put their punishing forehands to the test in a semifinal shootout. Gonzalez will first have to dump Nadal.

Roger still rides high in the top spot, naturally, he’s the originator. He needs to dispel the French Open Finalist Soderling. After that he’d dispose of Djokovic or Verdasco before tangling with any proshop copycatters. Not that Roger is worrying much. He’s already got his coveted 15 Slams. But, now he’s ignited a fashion fury. The workhorse has gone clotheshorse. He has to settle this last score as a matter of pride.

I’m feeling like that classic ACDC tune, which will remain nameless, would set the right mood booming throughout the Arthur Ashe sound system. Or if the match is more of a slugfest then maybe Zeppelin’s “Black Dog” would add better pomp.

Prediction: black-shirt in four sets.

Friday, September 4, 2009

Multi-tasking at the Open




My buddy Tomas had a special request. He asked me to do another tennis blog. So here it is.

I don’t know what your method for watching matches at the US Open is or if you’ve ever been to the event, but I have a particular modus operandi. It varies based on first week or second week matches. I take in consideration all the players I’d like to see, but also the ones I haven’t seen before. I’m also a big fan of unsung hero matches, the ones that don’t get top billing and are usually spurned to a distant court— far away from the concession stands and the restrooms.

In the first week, I tend to look out for newcomers— the fresh crop who might soon become household names. I prefer not to commit myself to a court. Court 11, for example, has a neat set of bleachers right behind the service line. There’s always crowd lined up to get their view from that vantage point. If you sit there you won’t have to twist your head from left to right to follow the path of the ball because you’ll have both players in focus, right in front of you. There’s also that slight problem of haven’t acquired the plum seat you won’t want to get rid of. Not on a single changeover.

I wouldn’t say what I have is ADD, but when I first at the matches I sometimes wander, get a feel for the tennis I want to see. I might stay for a changeover then check out another court. I might return. I caught a bit of a young American, Jesse Levine, playing Marin Cilic. Most of the crowd was behind Levine, the local. He had raw energy and raced down balls. His shots weren’t as pretty as Cilic and his serve wasn’t as solid, but I enjoyed watching him for a bit. I wasn’t ready to commit to the match just yet.

I trailed off past 13. I knew Juan Carlos Ferrero was there, and both bleacher sides were packed. I’ve never been a fan of his, but appreciate his spirited game. I’d get to him when I was ready. First, I trailed off to Julien Benneteau and Victor Troicki. I’d never seen either of them play, but knew of both. Benneteau had plowed through the first set and Troicki was throwing a tantrum when I got there. He smashed two racquets and got a warning from the chair umpire. I’d stayed for a bit and Troicki picked up his game for the 2nd set, but was still testy.

When I made it to Ferrero’s match he was already down two sets to love. I’m always impressed at the resourcefulness of fans who want to be where the action is. Some folks stand on the bleachers of the adjacent court. No shame turning their backs on the lesser match. Somebody had procured line’s judges chair, it sat unattended between the space of the next door court’s bleachers, it was practically whispering to me. I couldn’t disappoint. I got up on the seat and watched from a vertically-enhanced POV. Petzchner, the German, was giving the Spaniard a run for his money. Ferrero, from what I could see, was playing well, pounding his shots. Petzchner was cranking them with more authority and nabbing the lines. Ferrero managed to change the momentum and took the third set. Indeed, it was a good match, but I had other fish to fry.

I was in a bit of a pickle because I wanted to catch both Juan Martin Del Potro and Jo-Wilfried Tsonga which were going on simultaneously. Now the grandstand and the Louie Armstrong stadium are right next to each other, but the event’s organizers have made it more of a challenge to get from one to the other. Also, there are more fans to contend with, some who have a similar strategy as mine of catching many matches— that’s why so many of those grounds passes get gobbled up.

You can a little from both matches if you sit all the way at the top of Louie Armstrong and look over the top rail down onto the grandstand court, but then you see neither match too well. My solution was simple. I really wanted to see Del Potro and I was content to catch a glimpse of Tsonga’s play. Is this necessarily a good use of my time waiting on line to catch two seconds of a match? Well, I saw more than two seconds— only a few games, but Tsonga has electricity. He blasted a few forehands so I think that was worth it. Plus, I was already technically in the stadium.

The problem was all the reserve gates in Louie Armstrong were full. The ushers weren’t letting anybody else through without tickets. Oh, yeah, tickets. I’d forgotten that Armstrong had its own tickets. So an Arthur Ashe holder like myself couldn’t get a reserved seat there, but I supposedly had the coveted— more expensive ticket. I wasn’t even using it. Hantuchova had already blown through her opponent in Ashe Stadium. In the early rounds many of the seeded women had lopsided matches.

I opted to take the back stairs up to the nosebleeds. Del Potro’s match was underway. He and Meltzer were evenly matched. For the first set anyway which went to a tiebreaker. The first chance I had I snuck down as far as I could go. Then when I spotted another, better seat, I moved down farther. I was close enough to the grip changes between strokes. A bunch of Argentines chanted “Ole, ole, ole, ole— River” which is the cheer for the red-jerseyed soccer team from Buenos Aires. The Americanos abbreviated the baseline-slugger’s name to “Del Po”. Wasn’t crazy about it, but I was more focused on the lightning fast rallies. I also noticed that Del Potro had a little difficulty with a jerky ball boy. I think the kid was flustered too and kicked the player’s towel to the back fence instead of placing it on the platform that was reserved for it.

These are some of the silly things I pay attention to. When I caught Fernando Gonzalez’s match later in the day the chair umpire reprimanded Gonzalez’s opponent for taking too much time to retie his shoelaces. It actually was ridiculous. It lasted seven minutes. Gonzo twirled his racquet between his thumb and forefinger. He was about to do some juggling before Ouanna got up to play. There were a lot of stragglers who kept pushing their way to see the match on court lucky number 13.

Before the day was marked in the books I’d also seen Lapentti, Gilles Simon, Gael Monfils, two seconds of Tomas Berdych, and that other guy, the number two seed, Andy Murray. My first visit to Arthur Ashe so far this year. Like I said I tend to prefer the outside courts, but I never turn down a good ticket.